Raven (Corvus Corax) #2
Photograph: Andrew ShaylorBuckets of iron ore are transported to a major steelworks in Hunedoara, Romania, November 1975.
Photograph by Winfield Parks, National Geographic
What an incredible image.
Modern Farmer (Hudson, NY, USA)
Porthmeor Bay, St ives
Wild and windy day in St Ives. A view from a window at Tate St Ives where I had just looked at a William Scott retrospective, which I quite liked, and a Peter Fraser retrospective, which I failed to understand.
Lone Star, Las Vegas Blvd
That’s what she told me her name was……which was sort of appropriate.
Jaguarman
This is a little tenuous, but I heard a band on the radio this morning called ‘Jaguar Ma’ and it put me in mind of Arthur, who I photographed at a tattoo festival in Manchester a while ago. He and his partner have a tattoo studio in Blackpool called Jaguar Skin. The yellow is permanent.
Brighton Rumble Dancefloor
This image popped into my head today. I took it for my book, Rockin’ (The Rockabilly Scene). It’s a private moment captured in the whirl of the dance floor, and I like it because she looks so happy.
Fiesta de Santa Ines, Dzitas, Mexico
For a week the town of Dzitas pays tribute to their patron saint. There is a makeshift bullring, a busy Cantina and people arriving from all around. There is also a large area where food is corralled, killed, prepared and eaten. I was invited to sit down and share the food, and was told that it is given free to residents during the festivities.
Wall of Skulls, Chichen Itza
I was lucky enough (I think) to be allowed on the site of Chichen Itza after hours and at night, to photograph some of the structures. My main task was to light and photograph the main temple, but this sacrifice wall loomed behind my shooting position and was slightly disturbing. Throughout the night, my lighting equipment and cameras continued to play up, as if the was some other force present, to remind me of where I was and who was in charge.
Anyway, in the guide books it says:
The Tzompantli structure at Chichén Itzá is a Toltec structure, where the heads of sacrificial victims were placed; although it was one of three platforms in the Great Plaza, it was according to Bishop Landa, the only one for this purpose..the others were for farces and comedies, showing the Itzá’s were all about fun. The platform walls of the Tzompantli have carved reliefs of four different subjects. The primary subject is the skull rack itself; others show a scene with a human sacrifice; eagles eating human hearts; and skeletonized warriors with shields and arrows.
Manny, London Tattoo Expo
Another shot from the tattoo show. Manny was happy to have the ink on show and not at all worried about the crop.
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